MARC details
| 000 -LEADER |
|---|
| fixed length control field |
03571cam a2200397 a 4500 |
| 001 - CONTROL NUMBER |
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| control field |
14915143 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20170822175019.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
070703s2007 enka bq 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2007027626 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
0415216796 (hbk. : alk. paper) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
041521680X (pbk. : alk. paper) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9780415216791 (hbk. : alk. paper) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9780415216807 (pbk. : alk. paper) |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
(OCoLC)ocn154678000 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Transcribing agency |
BSU |
| Modifying agency |
BSU |
| -- |
YDXCP |
| -- |
BWKUK |
| -- |
BWK |
| -- |
VVC |
| -- |
UUS |
| -- |
BTCTA |
| -- |
OCLNG |
| -- |
HEBIS |
| -- |
OCLCQ |
| -- |
A7U |
| -- |
DLC |
| 043 ## - GEOGRAPHIC AREA CODE |
|---|
| Geographic area code |
f-sa--- |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
PN1993.5.S6 |
| Item number |
M35 2007 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
791.43 MAI |
| Edition number |
22 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Maingard, Jacqueline. |
| 9 (RLIN) |
16817 |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
South African national cinema / |
| Statement of responsibility, etc |
Jacqueline Maingard. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
|---|
| Place of publication, distribution, etc |
London ; |
| -- |
New York : |
| Name of publisher, distributor, etc |
Routledge, |
| Date of publication, distribution, etc |
2007. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xii, 220 p. : |
| Other physical details |
ill. ; |
| Dimensions |
25 cm. |
| 490 1# - SERIES STATEMENT |
|---|
| Series statement |
National cinemas |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Includes bibliographical references (p. 190-199) and index. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Filmography: p. 200-205. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Colonizing 'nation': De Voortrekkers (1916) -- Fictions of nation: The symbol of sacrifice (1918), Sarie marais (1931) and Moedertjie (1931) -- Monuments to nation: They built a nation (1938) and 'n Nasie Hou Koers (1940) -- Black audiences 1920s-1950s: film culture and modernity -- All that jazz: representing black identities in Zonk! (1950) and Song of Africa (1951) -- Cry, Africa: social realism in Cry, the beloved country (1951) and Come back, Africa (1959) -- Apartheid cinema: race, language and ethnicity in state subsidy films -- Chimes of freedom: cinema against apartheid -- Screening nation: new South African cinema/s beyond apartheid. |
| 520 1# - SUMMARY, ETC. |
|---|
| Summary, etc |
"South African National Cinema examines how cinema in South Africa represents national identities, particularly with regard to race. This significant and unique contribution establishes interrelat ionships between South African cinema and key points in South Africa's history, showing how cinema figures in the making, entrenching and undoing of apartheid. This study spans the twentieth century and beyond." "Jacqueline Maingard discusses how cinema reproduced and constructed a white national identity, taking readers through cinema's role in building white Afrikaner nationalism in the 1930s and 1940s. She then moves to examine film culture and modernity in the development of black audiences from the 1920s to the 1950s, especially in a group of films that includes Jim Comes to Joburg (1949) and Come Back, Africa (1959). Jacqueline Maingard also considers the effects of the apartheid state's film subsidy system in the 1960s and 1970s and focuses on cinema against apartheid in the 1980s. She reflects upon shifting national cinema policies following the first democratic election in 1994 and how it became possible for the first time to imagine an inclusive national film culture." "Illustrated throughout with excellent visual examples, this cinema history will be of value to film scholars and historians, as well as to practitioners in South Africa today."--BOOK JACKET. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Motion pictures |
| Geographic subdivision |
South Africa |
| General subdivision |
History. |
| 9 (RLIN) |
16818 |
| 658 ## - INDEX TERM--CURRICULUM OBJECTIVE |
|---|
| Main curriculum objective |
Art |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
|---|
| Uniform title |
National cinemas series. |
| 9 (RLIN) |
16819 |
| 856 42 - ELECTRONIC LOCATION AND ACCESS |
|---|
| Materials specified |
Publisher description |
| Uniform Resource Identifier |
<a href="http://catdir.loc.gov/catdir/enhancements/fy0731/2007027626-d.html">http://catdir.loc.gov/catdir/enhancements/fy0731/2007027626-d.html</a> |
| 856 41 - ELECTRONIC LOCATION AND ACCESS |
|---|
| Materials specified |
Table of contents only |
| Uniform Resource Identifier |
<a href="http://catdir.loc.gov/catdir/toc/ecip0722/2007027626.html">http://catdir.loc.gov/catdir/toc/ecip0722/2007027626.html</a> |
| 906 ## - LOCAL DATA ELEMENT F, LDF (RLIN) |
|---|
| a |
7 |
| b |
cbc |
| c |
orignew |
| d |
1 |
| e |
ecip |
| f |
20 |
| g |
y-gencatlg |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
|
| Item type |
Books |
